- #Wirecast 14 manual drivers#
- #Wirecast 14 manual full#
- #Wirecast 14 manual software#
- #Wirecast 14 manual code#
WIRE-17628: We updated some code to make our capture card inputs more efficient for Wirecast Gear 300 and 400 series.Older documents will be set at their actual canvas size, and you’ll get a warning if your output resolutions don’t match your canvas size. WIRE-17666: Removed Auto-Canvas option as it was confusing and no longer.WIRE-17674: Add a visual example to the documentation of the Countdown Clock.WIRE-17704: Implemented a new way to scale your sources using a handy Jog.WIRE-17705: Removed a superfluous error message.WIRE-17825: Brightened the display of Stream/Record/ISO Times.
#Wirecast 14 manual drivers#
WIRE-17730: Updated Wirecast Gear 300 and 400 series capture cards drivers.WIRE-17852/ WIRE-17835: Added a lock button to link the new width and height.WIRE-17882: Added an option on Wirecast Gear licenses to disable audio capture.Plus hundreds of additional bug fixes and improvements!.Updated Multiviewer with new audio meters.The status bar is now moved to the bottom of the screen, giving more space to show System CPU and App CPU, as well as other streaming stats.
Updated to NDI 4.5, ported OpenGL to Metal on macOS, updated webstream plugin (libVLC), for improved connectivity and efficiency.We’ve made improvements to – and we've also given you more control over – the way incoming audio and video are synced together, ensuring more accurate lip-sync.Plus, incoming sources are now scaled automatically, and will maintain their size based on settings you choose. We’ve added new options for sizing and scaling sources, making it easier to precisely size your videos and images on the canvas.Improved ability to size and scale sources.When a source gets disconnected, you can now choose to replace it with transparency or a custom image.More options when sources get disconnected.Smoother text scrolling and a new font picker to select font variants.Improved reliability for Wirecast Go, Rendezvous and webstream sources, plus efficiency improvements with GPU decoding for NDI sources.Better, more reliable incoming video source connections.New options for more accurate keying, including spill suppression, edge coloring, and clipping ranges. Plus a Luma Key (useful if you have a logo with a white or black background you wish to remove), and Color key (useful for images (logos) that have non-black and non-white backgrounds).All new Chroma Key (with special guests Luma Key and Color Key).We’ve also focused on improving the experience of doing remote guest interviews by improving Rendezvous’ stability as well as adding more flexibility for what displays if your guest gets disconnected.
#Wirecast 14 manual full#
This is a tremendously handy feature, as anybody who live streams knows, sometimes there are moments when you must communicate with your guest without your audience getting that same information.Ĭheck out the full article from to learn more.Wirecast 14 is an epic release with a LOT of stability and reliability improvements. Additionally, we have several new features including an all new Chroma Key with added Luma Key and Color Key options. Rendezvous allows for increased communications with your guest with a live chat feature.
#Wirecast 14 manual software#
Rendezvous brings your guest right into your Wirecast software as an independent source. All that's required on their end is a webcam and a microphone.
Rendezvous is as simple as sending a link to your meeting to your participant. One major advantage of Rendezvous, is that it requires absolute minimal effort from your guest- meaning they can focus on their presentation and the part of your stream that matters- the content. We'll be highlighting some points from this article, below. Recently, posted a great article detailing some great workflows for producing interviews using Wirecast. Now, as the world begins to recover, one of the most valuable streaming tools has emerged in the form of Rendezvous- a feature available with Telestream Wirecast. And, when many of these companies were forced to dip a toe into live streaming and production, remote guests were a necessity, as it was at a time when people could not be together. Remote production was a largely new concept to many organizations before the Covid-19 pandemic.
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